These pieces simultaneously cut any relation to past meanings and form new ones. All forms are fused into one and their imperfections and deficiencies create a sort of unknown and undefinable meaning.
In the “Spontaneous Generation” collection, the artist has used the ceramic medium to sculpt unrecognizable forms with rough textures, matte colors, and some black stains. These pieces are fabricated with two different ceramic techniques and each piece has gone through three phases to reach its final form. First, the pieces are sculpted out of clay and fired in a kiln; secondly, the pieces are glazed and fired for a second time, and finally, they are wrapped in newspapers and fired again, and the carbon from the burning papers creates black stains on the pieces The base of creating these pieces is discarded and obsolete plaster molds. The artist takes them from workshops that produce various practical and household ceramic objects like dishes and decorative statues and fuses them together to construct her pieces. By doing this she dismantles the structure, rules, and regular usage of these items, and by changing the usage of these obsolete tools that were once used in producing practical objects, she creates objects with unknown shapes and forms.